INTRODUCTION
NEW OR OLD NEWS?
It appears that, within the last few decades, a new way of designing architecture has emerged in the form of biomimicry, taking inspiration from biological phenomena and mimicking it to provide a more effective outcome. However, it has been around longer within the field of science, first used in scientific literature in 1962 and later within the area of material scientists of the 1980’s. It has proved to be an effective source of solutions to the problems mankind face.
OBJECTIVES AND METHODS
The question of this research project, “If biomimicry is so effective, why aren’t more buildings designed this way?”, will explore the uses of “biomimicry” within architecture and argue how effective the benefits are for mankind. For the purpose of this research project, the term effective can be defined as the improved outcome compared to designing without biomimicry. Examples being; better ventilation, heating, insulation, using less electricity, fewer materials, being self-sufficient, providing sustainable energy, requiring less money to maintain etc. It will also explore the obstacles and the problems that accompany the process of implementing it, from the early design stages to the finished build.
By analysing successful examples of biomimicry within architecture and the people who pioneer this concept of designing, it will help determine the benefits of biomimicry. A questionnaire will be sent out to current designers and the next generation of designers to define if the subject is known about or not. An interview will be conducted to understand the basics of a sustainability certification process and if biomimicry can fit within this concept.
NATURAL INSPIRATION
Nature has always been a fantastic source of inspiration for designers in all areas of art, from fine art through to architecture. It has captured designers’ attention from the early years of design and science, proving to be a successful way of designing. Designers and artists have always used the form of nature to influence their work, such as the use of the golden section and golden rectangle, found in shells, appearing within the architecture of Notre Dame Cathedral. This way of designing focuses on the proportions and aesthetics of nature to make the final outcome appear aesthetically pleasing to the human eye.
Notre Dame with the Golden Ratio Rectangle Overlay
